Tim O' Brien struggles to grasp what "actually
happened" in every war story he reveals in this chapter. Although The
Things They Carried is fiction, Tim attempts to make the reader
understand how difficult it was to cope with the events that his platoon members
experienced throughout war. By doing so, Tim reveals certain psychological
effects of PTSD. Even within the first page of the chapter, the reader doesn’t
feel empathy for Lemon, but for Bob Kiley, Lemon’s good friend who wrote an
honest and heart felt letter to Lemon’s sister regarding his death and the
magnitude of their friendship. After explaining in depth how terrific the letter
was, Tim goes on to explain what a true war story is. This theme comes up quite
a lot in this chapter, and Tim’s vulnerability is exposed through his
repetition, contradiction and bitterness towards the subject.
Tim jumps around the events the lead up to Lemon’s death.
After talking about how him and Kiley were having fun and messing around he
ends the paragraph with “It’s all exactly true.” Right before he gets to
Lemon’s death he writes, “It’s hard to tell what happened next.” The reader can
almost feel a limitation in Tim’s flashbacks that surround Lemon’s death. He
goes on to tell the reader how hard it is to separate what happened and what
actually happened in any war story. This paragraph is quite contradictive.
Again Tim does an excellent job at making the reader “feel.” This time it’s the
anxiety and emotional ups and downs a war story can make you feel, and how close
to the truth they can get, simply because the non-believable parts are honest
and the story teller has to make up the believable sections.
After Sander’s story about
his platoon going into the mountains, Tim dives into what the moral of a war
story should be, if any. You can’t extract a meaning without unraveling a deeper
meaning, he says. However, a sentence later he claims “There’s nothing much to
say about a true war story.” “A True war story, if truly told, makes the
stomach believe.”
Dylan, hi. What would you say Tim O'Brien's vulnerability is exactly? I understand that he wants the reader to listen and to feel, but it seems the more he tries to reach the reader, the more vulnerable he becomes. Vulnerability to me in the story is when he was talking about the woman who he was telling his story to. He seemed to become a bit on edge when he explains how she is unable to comprehend the meaning behind his story. He wants a listener, he wants somebody to feel as he felt (or at least have a better understanding). He is vulnerable in the sense that he wants a listener.
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