Three stories with a common theme are
“Friends,” “Enemies” and “Dentist.” These are all stories about the bizarre
ways that people perceive themselves—and in turn, how they attempt to control
the ways in which others perceive them.
“Dentist” is the most significant example
of this. Curt Lemon is terrified of the dentist. One initially feels some sort
of pity for him—perhaps that incident, in some respect, led to his sadistic
tendencies. What exactly the nature of his abuse was, we are not permitted to
know. Instead, we see how Lemon has learned to cope with this. He feels that he
must somehow compensate for his unmanly activity of fainting by suffering some
sort of completely unnecessary pain—a penance of sorts. This sort of twisted
reasoning process seems to be further indicative of some kind of abuse. We see
that it is fulfilled for him in masochism—he asks the dentist to yank out a
perfectly fine tooth. Lemon’s smile the next day seems to indicate brightly to
all those around, “Look, you have nothing on me. You can no longer call me a
coward.” No one was calling him a coward in the first place, but perhaps, for
Lemon, this self-torture seems to quiet an inner voice.
In “Enemies,” Strunk steals a knife from
Jensen. The audience isn’t permitted to know this until the end—when, by that
point, it becomes a framing device: the punch line of an enormous joke. O’Brien
chooses to situate us after the action has already happened so that we know
only about as much as the author does while the fight breaks out between the
two men. After Jensen breaks Strunk’s nose, he thinks that the latter is coming
for him to visit some sort of vengeance on him. Jensen eventually breaks his
own nose—once again, it is a case of being ruled by inner voices. Unbeknownst
to Jensen, Strunk thinks that he deserved the initial punishment—or at least that
it was warranted in some way—because he really did commit the crime against
Jensen.
In
“Friends,” the aforementioned incident seems to bring together Strunk and
Jensen. The two become a kind of comrades-in-arms and make a promise that one
will kill the other if one sustains an injury that will surely kill them.
Perhaps it seems like some sort of honorable thing—like a living will. Things
change though—in the moment in which a mortar gravely injures Strunk. The injury
makes Strunk cling all the more desperately to life. For this reason the
promise Jensen initially makes to Strunk cannot be fulfilled. When he dies
in the hospital, Jensen feels like his oath has not been broken. For some
reason, it seems like whether or not he breaks the oath weighs more heavily on
him than Strunk’s actual death.
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